“Dark Woods” by Mean Mary, from the album “Cold”

As you all know Mean Mary is up at the top of our favorite artists, you might not know she has a new album out in October and is busy on the next one with a Band!

Enjoy this video.  Dark Woods is on Mean Mary’s upcoming album, Cold. Pre-order now at https://meanmary.com/cold


Mary must be really really good because my boy loves her and his taste is impeccable when it comes to music, not so good when it comes to women. 

“Two Trains” by Josie Bello, from the album “Can’t Go Home”

One our Favorite ladies recorded some great songs on her album Can’t go Home, this is a example of Josie’s great writing and performing.



“Fold Of Your Dress” by Rod Picott, from the album Tell The Truth & Shame The Devil.


Final track off the album has yet another haunted track. “Fold Of Your Dress” has Picott seeking out ways to disappear: “Pills make me rattle and cocaine’s worse/Whiskey is a slower ride to the hearse.” But it’s the connection he’s missing that haunts him the most: “Did I set you free just like I did the rest/Wish I was in the fold of your dress.” This is what Picott calls one of the “lighter” songs on the record. Clearly, the man’s been through some stuff.  ( Americana Highways provided the words )



One hell of an album that has got the reviewers raving with big words and phrases  “Anyone who’s gotten near or past 50 years old knows the existential ruminations that invariably ensue” 

Sorry but I’m over 60 and still feel like 18 and think like a 16 year old. Does that mean its a great album?

I think its  GREAT ALBUM and Mr. Picott does not like writing silly, glittery Pop.

The album is on regular play on TMEfm Radio and was provided by Adam Dawson who can promote great artists if not that famous.

“The Day We Learn Why” by Rob Heath, from the album Ticket to Everywhere.


Canadian Rob wrote a profound song, a sad song, a song not to enjoy but to savor.



She invites me to her room; One that she’ll be leaving soon
Eyes that tell with no regret; Secrets I’m too young to get
Maybe I’m not ready yet

I start to play she sings along almost like she wrote the song
She remembers how it goes all those words and all those notes
That I’d forgotten why I wrote

Heaven knows that the most important days of our lives
Are the day we were born and the day we learn why

Laid bare in her hospital gown and all the ways it strips you down
Its such a humbling sight to see her finding in that melody
A part of who she used to be

Though I came here to entertain she seems to have forgot her pain
I tell myself “She’s showing you the purpose in this thing you do
I wonder who is helping who.”

Edmonton-based singer/songwriter Rob Heath is first and foremost a storyteller. Nothing human is alien to Heath; hence he has a keen eye for observance of the human condition and an ardent ear for putting it all to music.

Heath’s songs speak of the lessons- good and bad- he has obviously learned during his life. Emotionally, he resides in a borderless world. His songs run the gamut from: whimsical, skeptical, explosive, introspective, hopeful, heart-rending, brooding, clever, and at times simply about true love and all of them brutally honest.

The concept of being concise does not escape him, and he presents astute assessments of life in a three to four minute format. The delivery is succinct, and his approach is what makes Heath’s vocals noteworthy. His phrasing allows the lyric to shine.

There’s myriad subject matter and musical styles, yet there is a tie that binds. It’s that Heath’s music is relatable poetry, supported by listener-stickable melodies.

The quality of Heath’s songwriting has been widely recognized. Over the years accolades for his songs have been many: won first place in the Calgary Folk Music Festival “Songwriting Contest”, won the New Folk competition at the prestigious Kerrville Folk Festival, and won a Canadian Radio Music Award for “Songwriter of the Year”, nominated for Canadian Folk Music Award’s “Songwriter of the Year”. Over 200 radio stations on six continents have played his music, and he’s been on songwriting panels for AMIA, WCMA and SAC. He has had publishing deals with Glen Campbell Music, Don Goodman Music and Criterion/Atlantic Music.